On Saying Goodbye to a House

I spent last week down in Texas packing up my childhood house. My parents built the place when I was 12 and ever since it’s been home for me. When we moved there the roads were dirt and the nearest neighbor was over a mile away. 28 years later the woods behind the house are still wild full of coyotes and snake and deer, but the city has moved closer, other mailboxes dot the road, and the nights are less dark. It is hard to pack up a house you have lived in so long. What do do with the junk drawer by the kitchen not so much full of junk, but of small memories?

And this house had another burden. It was where my mother and brother died. With them much of the life of the house was frozen. My mother was constantly reinventing the place, in fact she had planned to build a new house and sell this one, but my dad, after the deaths, perhaps out of comfort or perhaps out of a need to hold on, changed very little. So for the last 17 years the house has been almost a museum piece. My room was exactly as I left it when I drove away to college. My brother Christopher’s room remained full of his unfinished model planes, a kite ready to fly, and stacks of astronomy magazines none dated later than 1989. What do do with all this stuff, so sentiment-laden and yet inert?

I received the call that the house was sold and I was needed to pack it up at the worst possible time. We’re moving here too (just a few blocks away but of course we still have to pack everything), so instead of the normal amount of time we would give ourselves to do such a job, we only had 3 days. I was dreading the flight, dreading the 2 hour drive from Houston, dreading the drive into the dark pines. We flew into thunderstorm-the type of pounding rain and violent thunder you only see in Texas. The drive was long, but of course familiar and pulling into the driveway I was, as always, shocked by the size of the trees. The house is surrounded by forest but the trees close to the house were planted by us. I remember the magnolia as a sapling. Now it towers some 30 feet. The dogwoods have canopies. The holly tree is so big some limbs have fallen. The heat at this time of year in Texas was oppressive and lends a heavy quiet to things. The dirt dobbers were busy building their mud tubes. Hummingbirds were buzzing everywhere. There have always been hummingbirds.

Opening the door, the slight cedar smell overwhelmed. I was home. I looked down at my childhood handprint in one of the tiles on the floor. My 2 1/2 year old ran into the house, "Daddy’s old house", going from room to room, pulling toys and books from the shelves, and mixing things up that had been so carefully kept apart for years. Within minutes he had set up a fort of sorts and was happily engrossed. And seeing him playing in rooms that have not been enjoyed in so long suddenly made the whole task easier. We would be clearing the way for another family to live there—to fill the place with their stories as we once did before the house became immobilized in memory. With that thought, it became easier to give away what needed to be given away, to pack what needed to be packed, and to finally say goodbye.

20x200

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For the last several months I've been working with my friends Jen Bekman and David Yee on a project called 20x200. 20x200 is a company that aims to change the art world. Sounds ambitious and it is. We're starting with getting high quality prints from fine artists and photographers out into the world in a way that makes sense for the artist, for the buyer, and for the gallery. We're in preview mode now, but starting next week we'll be fully launched, shipping prints, and introducing two new editions two per week... Please check it out and let us know what you think. We'll be tweaking and polishing based on your feedback... I have a feeling 20x200 is going to be a big deal.

Still in Texas...

One thing I keep noticing: All the people my age (40) have kids graduating high school. All the people with kids the age of my kids are in their 20s.

Much more when I get a decent internet connection.

Dylan Chatain

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I've mentioned Dylan Chatain on this blog before... he recently updated his website... there are no new images, but the edit is somewhat different than before and it's fascinating to see how a new edit can dramatically change the mood of a particular project... The work on the site was culled from thousands of images taken during some very long road trips in which he did nothing but shoot film for days on end....and from what I've seen there are several projects in there just waiting to be curated...

Miranda Lehman

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Like many young photographers Miranda Lehman's portfolio is full of moody pictures of couples in bed, but the photograph on her site that hooked me is one above that evokes classic Pre-Raphaelite Ophelia imagery..

The Alchemy of Oatmeal

If you’ve ever been lucky enough to camp out in the open under starry skies you know that if you stare up long enough and get yourself into the right frame of mind you can see the stars slowly rotating through bowl of the sky. If you happen to be near a mountain the little dots of light blink out as they pass behind the silhouette. I am always overcome with the hard to resolve simultaneous feelings of slowness and extreme speed. Some geeky part of me knows the earth is spinning at almost 1000mph and barreling around the sun at 67,000mph and yet you almost have to slow your heartbeat down to experience that nightly show starry transcendence. Look away for a second and the sky stills, the show ends, your brain readjusts to a normal recording speed and it takes a long time to find your groove again.

A few have asked what life with 2 kids is like now that we’re almost 6 months down the road and the first thing that comes to mind is that same sense of paradox: of speed and of slowness. Our baby Gabriel sometimes demands to be held in the middle of the night. So we will spend an hour, two hours rocking him while he ever so slowly falls back into sleep. Time stops. It is almost possible to believe the world is all still and yet.... overnight he grows, literally. He’ll fall asleep fitting his pajamas, he'll wake up and we'll find they are too small. Fingernails must be cut every few days. Pictures from a month ago are almost unfamiliar.

Our other child, a 2 1/2 year old might spend an hour preparing his oatmeal—picking exactly the right blueberries to add, carefully spooning in brown sugar and a single icecube. It is a s l o w process. And then he’ll put his head on the table looking deeply into his bowl and say that the milk is the ocean and the oat grains are like the land—a first metaphor, a leap of imagination he couldn’t have made a few weeks ago. The terrible twos for all their whininess and tantrums are also a time of staggering sweetness. You’ll be sitting there sleepily, grumpily accompanying the daily oatmeal extravaganza when apropos of nothing you’ll get a heartfelt hug, "I love you daddy. I love mommy too. Daddy, Mommy, Gabriel," and then it’s back to eating the oatmeal. "I love oatmeal! All done. I dump it out?" And as much as you enjoy the moment you know it will pass quickly, the baggage of life will accumulate. Things will not be spoken. You see yourself and your own father and your father with his father. You see the little boy next to you chattering away and can’t believe he was was once like the infant in your arms. You try not to be distracted and look away too much because you know it can take a long time to find your way back.

Cambodia, 1992

From an old journal on this date:

Was advised against train travel because the tracks are regularly bombed.

Opted for the bus instead.

Bus stuck in mud for 6 hours near Kempong Thum.

Lunch was a surprisingly delicious soup made with an unclassifiable meat, cilantro, and chilis.

At around 8PM the bus stopped and was boarded by 4 masked men carrying guns. Actually one boarded, 3 were outside. One of the gunman, a kid—he couldn't have been more than 16—shouted something and everyone ducked down in their seats or went down to the floor. I was left sitting there like a jackass. He smiled at me and pointed his finger down. I went down to the floor as best I could hugging my backpack. He was looking for someone. Robbed the bus driver. Rattled the hell out of everyone else.

Ended the night very late near Phlouk. No electric. Totally pitch black. Bugs. Sleeping in one of those big platform houses. All the men are on one side women are on the other. We all have little mats on the floor protected with mosquito nets that hang from the rafters. I'm being urged to shut off my flashlight.

--

4:54am Woke up in the inky dark to a a woman's blood curdling screams. Then everyone started screaming. Men turned on their lighters. Quite a scene with all the yelling and shadows dancing all around.

A giant snake had fallen from the rafters onto a pregnant woman's mosquito net getting itself (and the woman) trapped. The bus driver clubbed the snake to death with a stick. Everyone laughed when they discovered it was just a snake (I was sure the screamer was being murdered...). The snake, conservatively 70 pounds, is being cut up to be eaten for breakfast. Everyone is in an oddly good mood. Even the woman is sort of jolly/teary.

Bus departs at 6 sharp. Wondering if I should have taken the train.

Donald Weber

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Donald Weber is a Guggenheim fellow and a Lange-Taylor prize winning photographer based in Moscow. His portfolios whether they be from the Ukraine or Turkish Kurdistan or Chad are reminders of just how muscular and illuminating photography can be when in the hands of a fearless observer... Please stop wasting your time here and click over to his site right away.

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