From the always insanely great WFMU blog comes this terrifying video of clown ministry.

I mistyped something in my browser and came across tetrachromat.com. Sort of a long way around the block for a little joke, but I approve. 'What's a tetrachromat?' you ask. I first read about this phenomenon here: Looking for Madame Tetrachromat. This wikipedia entry provides some more info.

My question, 'Why do jumping spiders need to have super color vision? What advantage does it give them out there?' Perhaps knowing the subtle difference between similarly colored leaves gave them some evolutionary advantage over another type of less visually acute spider now long extinct... When I was a kid I prided myself in being able to name all the various colors in the big box of crayons. Without looking at the labels I could tell the difference between violet blue and blue violet, brick red from maroon, spring green from sea green. I remember thinking there were never enough reds but quite enough blues. How many more blues could a jumping spider perceive? I feel jealous.

(in no particular order)

Cappadocia, Turkey
Civita, Italy
Alang, India
A trip down the Niger river in Mali.
The road from Asmara to Assab in Eritria
Pyongyang, North Korea
Longsheng, China in the early fall
Harbin, China in the dead of winter
Donegal, Ireland
Tunis
Moreno, Argentina
Malinge Lake, Canada
Hill of Crosses near Šiauliai, Lithuania
The source of the Mekong in Kham
The Cotswolds (by foot)
Snowdonia National Park, Wales
Tangier (see previous post)
Dodecanese, Greece
Otavalo, Ecuador
Sana'a, Yemen

A few years ago I caught wind of an exhibition by photographer Yto Barrada documenting life in Tangier. As Tangier is on my "I want to experience before I die" list it piqued my interest and I wasn't disappointed. The image above was from that previous show. The new exhibition is titled A Life Full of Holes and it should be interesting. I'm sad I'll be out of town.

Friday April 7th, 2006
6:00 to 8:00 PM
Cocktail Reception for the Artist
at The Kitchen, 512 West 19th Street

I stumbled upon the work of Michal Chelbin today. Her photography is one part Balthus, one part Arbus, made stranger by being set in the Russian hinterlands. The images are creepy, beautiful, and foreign. The site suffers from an awful flash interface, but if you can get past it, there are some compelling images to be had.

Yesterday (actually the day before yesterday as it is already tomorrow), was our anniversary. Three years. Leather. THREE YEARS! Time accelerates at an uncomfortable pace. If I rewind to the moment Jenn and I were at the alter being lassoed together (literally lassoed, as this was a Mexican wedding and that's part of the ceremony) I remember time suddenly becoming very slow, expanding, and silencing the room.

It was an improbable situation. A couple of hundred people from the many disparate parts of our lives converged in a little village church 4 hours away from anything. The scene was pretty-radiating strands of flowers hung from the wooden beams down to the alter. Villagers in their cowboy hats had gathered outside to watch the men in tuxedos, and the women in hamboks, saris, and dresses pass through the old wooden doors. It was sunset just as we had planned and we knew by the time the long Catholic service was over stars would be peeking out in the desert sky.

So many things had gone wrong leading up to that moment- big things. Serious things like Jenn being stuck down for 3 days with food poisoning, my tuxedo going missing in a cab, and a bus of Koreans getting lost in the desert. When they placed that lasso over us, the same one that had married my parents, I felt it was the first time I could take a breath, look over at my lovely bride, and just relax. I held her hand. In a minute my godfather would give us thirteen gold coins (another Mexican tradition) and then in a few more minutes, I would put a ring on Jenn's finger.

I thought many things in that long moment most of which I have forgotten, but the one question that stuck was, "By what principle will we lead our life together?" Someone had just spoken about us and had said our greatest virtue and our greatest flaw was that we loved beauty. That we would search for it. "True," I thought, but surely beauty is ephemeral, hardly an organizing principle. 'Love' seemed too obvious, too broad; 'truth', self righteous. I decided the question needed more thought and of course consultation. This would be decided together. Three years later we're still asking the question, and perhaps the answer is that there is no simple answer, perhaps the important thing is to remember to keep asking the question despite the years rushing past and all the other things that make us forget the moments when time stands still.

Ever wonder how Red gets such a distinctive finish out of his digital images? He's been posting a really nice series of simple Photoshop tutorials on his site.

One day if you are lucky, you will travel across the the Taklamakan desert of Xinjiang. And on the journey you will stop in the small oasis towns along the way. And if you do find yourself in this situation, if you are the type of person to find yourself in the middle of the Taklamakan, inevitably you will walk to the outskirts of those villages where the irrigation ends and the desert encroaches, it is here you will find holy sites marked with prayer flags, a practice perhaps borrowed from Tibetans or perhaps inherited from distant Sythian ancestors. Lisa Ross has visited these places and stood there and photographed them. Her fantastic new show is called Traces of Devotion. It opens tomorrow and if you are in Dumbo you should check it out.

I've was organizing the attic tonight when I ran across a bunch of images of my wife from one of her college photography classes... My guess is that these ones went down like this:

Assignment: Self Portrait

1. Drive out from Chicago looking for something "artistic"....

2. See a corn field and swerve to a stop.

3. Quickly set the camera up on a tripod. Worry about being discovered.

4. Set the timer and run like hell into the corn.

5. Make serious arty face, wait for the snap, repeat.

Actually I love this whole contact sheet and am tempted to post the whole thing. Enjoy because Jenn might force me to remove them.

I'm really looking forward to checking out Little Miss Sunshine this summer. One minor issue with the trailer. The family is eating Dinah's Fried Chicken and Dinah's is in Glendale, California (I used to eat there regularly), but in the trailer the grandfather says the family is going to California...

John Siracusa my favorite writer about all things OS X notes that OS X is five years old. In honor of this anniversary I thought it might be fun to dig up one of my old web columns written in January 2000 a year before the official release OS X release. The writing style is annoying, but it's fun to see what I got wrong and what I got right. I've reposted it here. Note most of the links are dead, so just ignore them.

Most of us have led other lives. I do not have to roll back the years too far to see myself as another person, standing in another house, thinking thoughts that would be foreign to me now. I am always amazed when I meet people whose paths are orderly-in which one dot leads to the next in a straight line-and I am almost offended when someone from my childhood tells me, "you know, you haven't changed one bit." I suppress the urge to to curse, and tell them the lie they expect to hear, "you know, you haven't changed either."

Sometimes in dreams I am transported to one time or another. I will be back in Rajastan sitting on the roof of an overcrowded train, watching the monsoon sweep across the desert, waiting for the men who sit cross-legged on elephants to raise their umbrellas one by one. I will remember what it was to be a shaggy haired nomad detached from the world experiencing that moment: the smell of the rushing hot air, the blue holy man, immobile, his hair whipping around his face, the roar of the train, and those umbrellas going up. I will forget I am asleep in my bed next to my wife and child. Except for a lingering feeling akin to deja vu I do not remember what will come, so I will lose myself in the rain, and feel all joy and sadness I felt back then.

Sometimes these dreams go on for eons, but invariably I will be pulled back, startled by my smiling son with a poke to the face and a burst of speech in strange toddler language best described as a Gallic yodel. In the seconds that make up that post-liminial eternity I cross the divide. I am that guy on that train and I am this guy now. Soon... by the time I am fully awake the other lives fade back to their proper place and I am ready to start the day. My one lingering sadness: knowing this moment, this day, will be one that someday I return to in dreams for I will be someone else, in some other house, in some other place.