Michael Wolf's Copy Artists.

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Copy Artist

From: oilpainting-a@sohu.com
Date: Thu, 14 Jun 2007 09:04:52 +0800
Subject: From the oil painting studio

Welcome to the Oil Painting Studio.

We have been successfully working with fine art galleries and artists internationally for over a decade. Our museum quality realism is created by 25 of Chinese most skilled artists. Each artist has been formally trained and has received their degree from many of the finest art universities in China and abroad.

We have always and will continue to respect international copyright laws. Your order of original art whether created from digital, photographic or any other form will never be recreated for another client. Each of our artists works inside the framework of their own specialty whether portraiture, landscape, marine, floral, still life or what ever your personal need may be. Our extensive community of fine artists is capable of creating exactly the fine art oil painting that you order. We offer an unconditional money back guarantee to all of our clients if you are dissatisfied with your shipment.

We look forward to a mutually beneficial relationship. Please contact us by e-mail with your requirements. Individual orders by private parties are gladly accepted. Deeper discounts are available on larger orders. Please contact us for details.

Sincerely,

The Oil Painting Studio.

Oceanscapes...

When I was in college I interviewed Roy Lichtenstein for a paper and during the course of the interview we started talking about landscapes, specifically oceanscapes, "You know what picture of mine everybody loves, even people in Kansas?" he asked.

"Girl with Ball", I ventured?

"Not even I like that one any more. No. The painting everyone loves isSun and Sea. Do you know why? Because everybody wishes they could live by the ocean and it's easy to put a picture of the ocean in any room in the house. [chuckles] My advice to new artists. 'Do you want to sell paintings? Paint the ocean.'"

robertdphillips.jpgRobert Phillips

michaelweselyseascape.jpgMichael Wesely

HiroshiSugimoto.jpgHiroshi Sugimoto
(Be sure to click around the Sugimoto website put up by the Hirshhorn for this exhibition. It includes some nice podcasts with the artist.)

La Jarra de la Leche

On our kitchen table you'll find a porcelain pitcher. Right now it's full of small white flowers my wife bought at a deli down the street. The pitcher is a pretty but unremarkable object. The handle has a bit of art nouveau flourish. The finish you'll notice if you study it closely, is full of hairline cracks. The bottom is stamped with a royal looking insignia and below the words:

Royal Ironstone China
Wood and Son, England.

My great grandfather gave the pitcher as a gift to my great grandmother. Ignacio Perez was a major in Pancho Villa's army and never returned home from his excursions without gifts in hand. A set of 6 teacups was meant to be included with the pitcher but only one survived the hard riding over mountains and deserts. On his way home he had used the pitcher for coffee, but before arriving, he cleaned the thing, and wrapped it in nice paper before presenting it to his wife. My great grandmother, Mama Juela as she was known to all, was delighted by the gift and immediately deemed it 'La Jarra de la Leche' or 'the pitcher of the milk' and for years that's exactly what it was. Every morning one child would milk the cows, and boil the milk for the day. This was no trivial task as there was no refrigeration and fires were made from mesquite wood. After the milk was boiled, the curd was scraped, and then hot milk was poured into the pitcher where it would cool. On the rare occasions she had chocolate in house, Mama Juela would crumble some into the milk. She also liked to mix in a drop or two of honey. At Rancho Cascabel 22 people lived under one roof. There were 11 children, several adoptees, a few old maid sisters, and a ranch hand or two so Mama Juela rarely left the kitchen. The pitcher was being filled and emptied all day long.

When Mama Juela died the pitcher was one of the few things my grandmother took from the house.

By my childhood in the 70's milk was delivered daily to my grandmother's doorstep in small glass bottles with tin lids. I was given the task of boiling the milk and removing the curd. Normally we'd just pour the milk back in the bottles, but if there happed to be chocolate in the house we would take out the pitcher, pour in the warm milk, and drop in bits chocolate in watching them dissolve as we stirred. Otherwise the pitcher was only used for special occasions—Christmas dinners mainly. It was kept behind glass with along with porcelain figurines never removed from their shrinkwrap.

When my grandmother died it was my father who brought the pitcher home to his empty house, carrying it by hand on the plane back to Texas where it mainly sat unused on a shelf. A few years later I claimed it, driving it myself to California. When Jenn came into the picture, she started using the pitcher as to hold flowers.

My thought tonight is this: When I am gone will this thing, this ordinary pitcher, be one of the things my children will want to hold close or will too much time have passed for the memories contained in the thing to be read? Will they understand why the milk poured from this pitcher tastes so sweet?

Nelson Hancock's Kamchatka

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About a month ago I pointed to a set of photographs from Eastern Europe by my friend and gallerist Nelson Hancock. Now Nelson has put up a new set of images, this time for an upcoming exhibition called Kamchatka, Photographs from Russia's Far East. As he notes, "Most people in the US have only heard of Kamchaka because it was an important territory in the old board game Risk..." His portraits from the Kamchatka River valley both bridge the distance and add to the mystery of this far away place.

The show opens June 14.

Kathryn Almanas

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I'm a fan of the portfolios of Yale MFA student Kathryn Almanas... She mastering the hard trick of mixing images rooted in reality with imaginary tableauxs to create projects with emotional heft...

Answers for foxhat13

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Someone who calls himself foxhat13 emailed and asked:

"Is your interest in emerging artists limited to photography or do you look at painters as well? If so do you have a couple of names for me. [clip...] Also I'm moving to New York August 15th. Do you have any tips on how to find good artists?"

The truth is that I don't keep up with the non-photography parts of the contemporary art scene as much as I'd like to. If you were to press me I might mention someone like Natalie Frank. Critics imply she can't help but give into her pre-raphaelite urges to make things visually lush, but that's exactly what I like about the work... the thumbnail on the top of this post is one of her paintings. It's titled War. These are best seen in person.

I also like many artists like Rachell Sumpter whose work has a lighter feel, but is witty, relevant, and sometimes happily subversive. The piece below is titled Baghdad Boogie.
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And then there are artists like Yang Shaobin who has recently been making portraits of miners in China (he's not exactly an emerging artist but...) who I admire but never think I'd like to own one. That's how I decide if I really love something. The desire to possess is my ultimate approval stamp.yangshaobin.jpg

As for finding out about new artists the easiest thing to do is to wander around NY with a gallery guide, mark the galleries you like, get on their mailing lists and start going to shows. And then of course there are scores of art blogs. One of my favorites is paintersnyc (2 of the artists above were blogged on paintersnyc) . The artists highlighted usually have new shows and the blog always inspires fun comment threads.

I painted (badly but of course with great enthusiasm) when I was in my 20's and in my own life the collection of specific paintings that mean something to me is much larger than the collection of iconic photos with similar impact so perhaps I should pay more attention to painting... and yet I can't help shake the feeling that contemporary painting forms almost no imprint on culture at large, that the canon is ossified, and that what's left is artists making art for each other or to be hung above sofas in fancy apartments... My wife says that today everyone thinks of themselves as an artist or a potential artist which might be part of the problem.

The reason photography is so exciting is that the canon—especially the art photography canon—is still largely unwritten. Photography is a medium in it's infancy and its artists don't suffer the weight of history nearly so much as those who paint. Also, perhaps just perhaps, because it transforms easily into bits to be seen on computer screens photography has a chance of staying relevant in a world less interested in the work of people who do something as archaically wonderful as putting paint on canvas.

Greg Girard's Phantom Shanghai

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It's not in hand yet, but I'm excited to have the new book Phantom Shanghai on order. The book is a record of Shanghai's vanishing historic architecture by Canadian photographer Greg Girard who has lived in the city for almost a decade. Magenta Magazine has a nice piece on the project which is available as a pdf download. From what I've seen so far, the images are imbued with a palpable melancholic beauty. Can't wait to see the rest of the book

Man Ray Archive

"Why? Who cares? Who doesn't care? Dada is dead. Or is Dada still alive? We cannot revive something alive just as we cannot revive anything that is dead.
Is Dada dead?
Is Dada alive?
Dada is.
Dadaism.

Man Ray
July 8 1958"

The original handwritten note and an extensive archive of Man Ray images can be found at the Man Ray Trust.

Final Santa Fe Roundup

I was going to blog these all separately but it would take forever, so here are a few more portfolios I saw at Review Santa Fe that caught my eye:

BirthePiontek.jpgI've mentioned Birthe Piontek on this blog before. Meeting her in person and discovering her to be modest, sensitive and funny made me like the work all the more.

paulamccartney.jpgPaula McCartney showed a portfolio of fake birds in nature. Not sure if that description sounds appealing, but I assure you the prints had a touch of magic to them. She also handcrafts jewel-like artist's books.

feritkulas.jpgI noted the work of Ferit Kuyas before heading out to Santa Fe and his work did not disappoint. While his website is still down it's worth checking back in to look for his project on Chongqing. One of the things that came out of the review was a name change for the project. The working title was Double Happiness which was a deeply personal choice (his wife is from Chongqing), but during the course of one of the reviews he realized a more apt title would be City of Ambition riffing on Stieglitz... I like the new title and love the images from the project.

Daniel Traub was also showing work from China. His project called The City's Edge an especially relevant in a time where Chinese cities are growing at an almost unfathomable pace. Daniel lives in Shanghai and was just selected to be in Jen Bekman's spring Hot Shots show (full disclosure I was on this Hot Shot's Reviewer Panel)

rachelherman.jpgRachel Herman was another photographer with really beautiful prints. The web doesn't do them justice.

Sarah Wilson is a photographer for Texas Monthly which is known for it's deeply researched stories and sharp photography. Her photographic essay on the murder of James Byrd in Jasper Texas reveals the ripples and scars left by the events of that night nine years ago.

Finally I hope you visit the work of Kay Lynn Deveney who presented a project called The Day to Day Life of Albert Hastings, a Welshman she she met while in graduate school. For each of her photographs she had Mr. Hastings write a caption and the images were presented together with his text. A book of their collaboration will be available soon from Princeton Architectural Press.

Chronological List Of Maps I Carry In My Head

1. Map of a house in Houston on Langdon Lane. Includes three trees in the front yard and neighbor Jimmy's garage and backyard. Ends at the fence in the back. circa 1970.

2. Map of all the playgrounds in 75901. circa 1975

3. Map of a time capsule buried at 1430 Sleepy Hollow in Lufkin Texas. Problem with this map is calibrating 10 year old footsteps with adult footsteps. circa 1977

4. Map of the Whisper Islands, an imaginary set of islands that happen to float on the clouds off the coast of India. Islanders communicate between islands with balloons, kites, and model rockets. circa 1980.

5. Map of every road out of Burnet, Texas in a radius of 20 miles. Includes the road to Oatmeal, Texas. circa 1984.

6. Map of Macondo. circa 1986.

7. Map of the way to my brother's grave. circa 1990.

8. Map of all 5 ice cream shops in Shanghai. circa 1993.

9. Map of taco stands from Santa Monica to Glendale. circa 1998.

8. Map of all the major (and some minor) bus routes in Kham. circa 2001.

10. Map of "no-turn" routes (between our old house and a variety of destinations) in LA for my new wife who, while exceptional at most things, is directionally challenged. circa 2003.

11. Map of all the parks with playgrounds in 11201. present day

Shuli Hallak

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One of the nice things about a portfolio review is that you get to look at a broad range of work outside of your own specific interests. I rarely seek out industrial or architectural photography, but at the review I got a chance to look at several excellent portfolios in this genre including the work of New York based Israeli photographer Shuli Hallak. She makes big powerful prints of the world's largest cargo ships and factories and so on... Ms. Hallak was also a pick in PDN's 30 emerging photographers for 2007. The portfolio worth checking out even if this isn't normally your kind of thing.

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